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Discover Amazing Digital Camera Techniques That Get Fantastic Digital Pictures - Guaranteed
Home » Arts » photography »

Author: Glen Stevens
Added: December 15, 2006

Because of inexpensive storage, many people never bother to remove most unnecessary images, on their memory chip resulting in bloated virtual albums with duplicates, accidental pictures of thumbs, uninspiring shots of brick walls, pavement, and more. Initially, there were problems with quick-service photography shops “cropping” digital images in order to force them to print properly on the same paper used by film cameras – as more and more people move to digital however, services and products emerge to make it easier to transfer your memories from electronic to tangible. Some people feel that a picture just isn’t a picture if you can’t put it into a frame (although wireless, internet-enabled miniature LCD ‘picture frames’ ARE available) or store it in a photo album.

Additionally, your digital camera photo storage disk can be taken to a discount store where the photos can be extracted and printed as regular photos that can then be added to a personal scrapbook, picture frames for your home or office or shared with those people that are important in your life. People want their photos fast. Let's face it, people want to look good.

Digital portrait photography will produce superb results if you are able to see the person you are photographing, as one of your favorite people at that moment. Also, remember to take photos of people when they are unaware that you even have your camera out.

Depth Tips

When I use my wide-angle lens I almost always make the aperture very narrow so I have a very large depth of field. Since the zoom lenses change focal lengths as they shift they tend to flatten the depth of field and change the perspective. The deeper the depth the more compensation is required for diminished light.

Because of their small sensor size, the compacts often have better depth of field which could be very good for this task. Try different levels of fill flash, use the white balance, and test the effects of speed/aperture on depth of field. When I say ‘close up’ I am talking about taking a digital photo with a very short depth of field.

And in order to understand how to get good, clear close up digital images we have to first work with our depth of field. A wide depth of field is used when wanting detail throughout the shot but a narrow depth of field is desirable when a single object or person is the focus of the image. It is also important to realize that aperture also influences some of the focusing within a shot, known as depth of field.

Since digital sensors are smaller in size than a 35mm film the depth of field will be much higher and in fact in most compact digital cameras almost infinite. The main difference is in the Depth of Field. The basic elements of good photography are the same - composition, contrast, depth of field, focus, lighting, exposure, etc.

This can capture depth and emotion making each photo artistic in nature.

Taking Pictures In Shadows

Have your light/sunlight cast over the front of the your subject so your digital image has evenly spread light on it, so no hard shadows or lines are created. If you are taking photographs on a sunny day, especially, shadows are often very problematic and can be reduced or eliminated altogether with the use of the flash. Digital photography relies on sensors, which are often less discerning than film when it comes to rendering detail in shadows and highlights.

This means that some digital photos taken in strong light conditions, may have empty shadows and blown out highlights. In such cases, you could end up with images that have burned out highlights or shadows that are so deep that they contain no detail. - Be careful with deep shadows as they might come out completely black on your digital file and prohibit you to work on with the problem in Photoshop or another photo editing program.

Taking photographs in the shade often provides images with better/truer color definition, no shadows, and subjects free from squinting. With the removal of color, the photographer must look at his prospective image with new eyes: Linear patterns and shadows can be much more striking in black and white than in color. If you try to burn highlights you’ll end up with a horrible dirty grey result, and dodging shadows and mid-tones only creates noise in the image, neither of which looks good.

Be Balanced

A camera's automatic white balance may not provide the necessary accuracy. This allows you to experiment with different f/stops, white balance settings, focal points and lenses without emptying your wallet just to see how bad they turned out.

However, for many digital photographers, using a white card to create their custom white balance weems to work just fine. Most digital cameras allow white balance adjustment, eliminating red, blue or green casts and making the photo more natural. For example, if a scene is primarily water and clear blue sky the camera's logic may mistakenly introduce too much red trying to balance the color temperature.

One of the few essential things that you must remember is to adjust the white balance of the digital camera. Its normally a good idea to let the program balance your image first in this way.

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